Winner of the People's Literature Award, WINTER PASTURE has been a bestselling book in China for several years. Li Juan has been widely lauded in the international literary community for her unique contribution to the narrative non-fiction genre. WINTER PASTURE is her crowning achievement, shattering the boundaries between nature writing and personal memoir. Li Juan and her mother own a small convenience store in the Altai Mountains in Northwestern China, where she writes about her life among grasslands and snowy peaks. To her neighbors' surprise, Li decides to join a family of Kazakh herders as they take their 30 boisterous camels, 500 sheep and over 100 cattle and horses to pasture for the winter. The so-called "winter pasture" occurs in a remote region that stretches from the Ulungur River to the Heavenly Mountains. As she journeys across the vast, seemingly endless sand dunes, she helps herd sheep, rides horses, chases after camels, builds an underground home using manure, gathers snow for water, and more. With a keen eye for the understated elegance of the natural world, and a healthy dose of self-deprecating humor, Li vividly captures both the extraordinary hardships and the ordinary preoccupations of the day-to-day of the men and women struggling to get by in this desolate landscape. Her companions include Cuma, the often drunk but mostly responsible father; his teenage daughter, Kama, who feels the burden of the world on her shoulders and dreams of going to college; his reticent wife, a paragon of decorum against all odds, who is simply known as "sister-in-law." In bringing this faraway world to English language readers here for the first time, Li creates an intimate bond with the rugged people, the remote places and the nomadic lifestyle. In the signature style that made her an international sensation, Li Juan transcends the travel memoir genre to deliver an indelible and immersive reading experience on every page.

Still Life Photography reveals the aesthetic characteristics of what everyday people see, use and eat. It is a stark and relentless display of normality, embracing the unappreciated or negative. All aspects of ordinary life are re-discovered and re-illustrated via the camera lens. This book illuminates the unexpected potential of the objects surrounding us, and at the core of each photo lays an invitation to take a fresh look at life.

Ecocriticism is a mode of interdisciplinary critical inquiry into the relationship between cultural production, society, and the environment. The field advocates for the more-than-human realm as well as for underprivileged human and non-human groups and their perspectives. Taiwan is one of the earliest centers for promoting ecocriticism outside the West and has continued to play a central role in shaping ecocriticism in East Asia. This is the first English anthology dedicated to the vibrant development of ecocriticism in Taiwan. It provides a window to Taiwan's important contributions to international ecocriticism, especially an emerging "vernacular" trend in the field emphasizing the significance of local perspectives and styles, including non-western vocabularies, aesthetics, cosmologies, and political ideologies. Taiwan's unique history, geographic location, geology, and subtropical climate generate locale-specific, vernacular thinking about island ecology and environmental history, as well as global environmental issues such as climate change, dioxin pollution, species extinction, energy decisions, pollution, and environmental injustice. In hindsight, Taiwan's industrial modernization no longer appears as a success narrative among Asia's "Four Little Dragons," but as a cautionary tale revealing the brute force entrepreneurial exploitation of the land and the people. In this light, this volume can be seen as a critical response to Taiwan's postcolonial, capitalist-industrial modernity, as manifested in the scholars' readings of Taiwan's "mountain and river," ocean, animal, and aboriginal (non)fictional narratives, environmental documentaries, and art installations. This volume is endowed with a mixture of ecocosmopolitan and indigenous sensitivities. Though dominated by the Han Chinese ethnic group and its Confucian ideology, Taiwan is a place of complicated ethnic identities and affiliations. The succession of changing colonial and political regimes, made even more complex by the island's sixteen aboriginal groups and several diasporic subcultures (South Asian immigrants, Western expatriates, and diverse immigrants from the Chinese mainland), has led to an ongoing quest for political and cultural identity. This complexity urges Taiwan-based ecoscholars to pay attention to the diasporic, comparative, and intercultural dimensions of local specificity, either based on their own diasporic experience or the cosmopolitan features of the Taiwanese texts they scrutinize. This cosmopolitan-vernacular dynamic is a key contribution Taiwan has to offer current ecocritical scholarship.